Gypsy starring Audra McDonald on Broadway Ticket

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Gypsy is the landmark Broadway musical about a domineering mother in the early 20th Century who will do anything to make her young daughters Vaudeville stars.

Audra McDonald returns to Broadway as Rose in Gypsy, the legendary musical from Arthur Laurents, Jule Styne, and Stephen Sondheim.

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Fri 04 Apr

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Gypsy on Broadway Show Ticket

All taxes and fees included

Gypsy on Broadway Show Ticket

All taxes and fees included

Gypsy on Broadway Show Ticket

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New York City
247 W 44th St,

Please note tickets will be emailed as an URL ticket from: [email protected].

Due to extensive fraud prevention, your ticket delivery may be delayed. However, tickets will be delivered no later than 2 weeks prior to the performance. Once the URL ticket is delivered, please have your ticket ready by clicking on the link provided and displaying the ticket on your phone at the theatre. The ticket’s unique barcode is only valid for one entry.

Please do not be late! Some shows will not seat late arrivals until a suitable pause in the performance. Late seating is entirely at theatre management discretion.

Some other things to remember:
- Please turn off cell phones prior to the start of the show. It’s not just courteous to the other patrons; it’s the law in New York.
- Everyone entering the theatre must have a ticket; regardless of age.
- Most Broadway theatres do not allow children under the age of 4 years to attend the performances. Also, some shows may not be suitable for children under 12. Please check with us if you are not certain.

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Додатне информације

Public transportation options are available nearby
Wheelchair accessible
Suitable for all physical fitness levels
Recommended for ages 10+
Children under the age of 4 are not permitted in the theatre.
If you have Accessible Seating requirements, please call our customer service team at 888-651-9785 to inquire about availability prior to completing your booking.
Best available seats are assigned by theater at time of purchase and will be listed on your actual tickets.
Due to fraud prevention, your tickets will be delivered no later than 2 weeks prior to the performance.
PHOTO ID: Guests ages 18 and older must present a valid government-issued photo ID. Guests under 18 may also show a school ID, birth certificate or social security card (Photo is not required). Guests under 12 must be accompanied by an adult who meets the above requirements.
Guests who do not comply with these policies will be denied entry or asked to leave the theatre.

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Majestic Theatre

Inspired by the early life of stripper Gypsy Rose Lee, this new production is directed by George C. Wolfe and choreographed by Camille A. Brown, and is the musical that introduced the hit songs “Everything’s Coming Up Roses,” “Let Me Entertain You,“ and “You Gotta Get a Gimmick.”

Majestic Theatre

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All sales are final. No refund is available for cancellations.

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Коментара (4)

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Ed_Uyeshima

Jan 2025

REVIEW: "Gypsy" at the Majestic Theatre, January 19, 2025. I was fortunate enough to see Patti LuPone's passionate version of Mamma Rose in the 2008 Broadway revival of "Gypsy". Her performance was very much the one I expected in the unrelenting, fearsome mold of Ethel Merman's original rendition. Casting Audra McDonald as Rose was initially surprising to me because I would've assumed her beautiful multi-octave soprano voice would be at odds with such a hardscrabble, tyrannical character. To my unending delight, she completely nailed the character from the inside out in her own unique interpretation as the legendary show's first black Rose. As directed by George C. Wolfe, not a word was changed in Arthur Laurents' original book to reflect the racially divisive times of the dying vaudeville circuit, yet it's quite apparent in the characters' motivations and actions that race was a tangible factor in eking out a living in show business. If you don't know already, the musical is about how Rose attempts to gain stardom at any cost for her perky, ambitious younger daughter June. Rose's older daughter Louise is ignored until June runs away and elopes. Rose redirects her energies onto the initially unpromising Louise. She shows no onstage talent until Rose has her fill in for an errant stripper in a burlesque house and this leads to Louise's lightning-fast transformation into Gypsy Rose Lee. McDonald captured all the domineering Machiavellian elements that make Rose so insufferable, but beyond that, she made palpable the real pain and sacrifice she experiences as someone who was unable to fulfill her own dreams. She interpreted the classic Jule Styne/Stephen Sondheim songs with emotional precision. The flawless fluidity between her head and chest registers was thrilling to hear in the cavernous Majestic. The rest of the cast couldn't help but be overshadowed. Danny Burstein made a deft, solidly grounded Herbie and duetted nicely with McDonald on "Small World" and "Together, Wherever We Go". Joy Woods convincingly delivered the requisite metamorphosis from the overlooked Louise to the sexually self-aware Gypsy. The trio of strippers led by Lesli Margherita's loopy Tessie Tura on "You Gotta Get a Gimmick" provided welcome levity during the more melancholy Act II. My one complaint about the show was the hurried pacing of the final dressing room scene between Rose and Louise. It didn't register as strongly as it should have. However, this led to the show's unequivocal high point, "Rose's Turn", the definitive 11:00 number, and McDonald delivered all the power and resentment that Rose had built up in a clarion call of monumental proportions. I couldn't get up on my feet fast enough to appreciate the virtuosity of her emotionally naked performance. Yes, she was that great.