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Bat Out Of Hell: La comédie musicale à Paris Las Vegas

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Jim Steinman's Bat Out of Hell - The Musical est une célébration Rocky-Horror, Roméo et Juliette des amants maudits des côtés opposés des pistes pris dans une ville au bord du désastre. Lorsque Raven tombe amoureux de la rebelle Strat, tous les paris sont ouverts dans cette histoire d'amour à tout prix, de rock et de montagnes russes basée sur une jeunesse sans compromis.
Ville: Las Vegas
Tue 25 Feb
i
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À partir de $78.30
Tue 25 Feb
À partir de $78.30
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Ce qui est inclu
Show Tickets (Seating category selected at time of booking)
All Fees and Taxes
Show Tickets (Seating category selected at time of booking)
All Fees and Taxes
Show Tickets (Seating category selected at time of booking)
All Fees and Taxes
Itinéraire et carte
Point de rencontre
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Las Vegas
3655 Las Vegas Blvd S, Paris Las Vegas
• Les billets seront envoyés par voie électronique au numéro de téléphone indiqué sur la réservation
Point final
Cette activité se termine au point de rendez-vous.
Information additionnelle
  • Accessible aux fauteuils roulants
  • Des options de transport en commun sont disponibles à proximité
  • Convient à tous les niveaux de forme physique
  • Les billets seront envoyés par voie électronique au numéro de téléphone sur la réservation
  • Désinfectant pour les mains à disposition des voyageurs et du personnel
À quoi s'attendre
1
Paris Las Vegas
Make your way to Paris Las Vegas to see the Meatloaf inspired Bat Out Of Hell - The Musical.
2
Bat Out Of Hell: The Musical
For the stage musical, the legendary and award-winning Jim Steinman incorporated iconic songs from the Bat Out of Hell albums, including You Took the Words Right Out of My Mouth (Hot Summer Night), Bat Out of Hell, I’d Do Anything for Love (But I Won’t Do That), Paradise By the Dashboard Light and Two Out Of Three Ain’t Bad, as well a previously unreleased song, What Part of My Body Hurts the Most. In Bat Out of Hell – The Musical, the chart-topping rock songs of Mr. Steinman propel an epic story of rebellious youth and passion as Strat, the immortal leader of The Lost, has fallen in love with Raven, the beautiful daughter of the tyrannical ruler Falco. Bat Out of Hell by Meat Loaf became one of the best-selling albums in history, selling over 50 million copies worldwide. 16 years later, Steinman scored again with ‘Bat Out of Hell II: Back Into Hell,’ which contained the massive hit ‘I’d Do Anything for Love (But I Won’t Do That)’.
3
Paris Las Vegas
Make your way to Paris Las Vegas to see the Meatloaf inspired Bat Out Of Hell - The Musical.
4
Bat Out Of Hell: The Musical
For the stage musical, the legendary and award-winning Jim Steinman incorporated iconic songs from the Bat Out of Hell albums, including You Took the Words Right Out of My Mouth (Hot Summer Night), Bat Out of Hell, I’d Do Anything for Love (But I Won’t Do That), Paradise By the Dashboard Light and Two Out Of Three Ain’t Bad, as well a previously unreleased song, What Part of My Body Hurts the Most. In Bat Out of Hell – The Musical, the chart-topping rock songs of Mr. Steinman propel an epic story of rebellious youth and passion as Strat, the immortal leader of The Lost, has fallen in love with Raven, the beautiful daughter of the tyrannical ruler Falco. Bat Out of Hell by Meat Loaf became one of the best-selling albums in history, selling over 50 million copies worldwide. 16 years later, Steinman scored again with ‘Bat Out of Hell II: Back Into Hell,’ which contained the massive hit ‘I’d Do Anything for Love (But I Won’t Do That)’.
5
Paris Las Vegas
Rendez-vous à Paris Las Vegas pour voir Bat Out Of Hell - The Musical inspiré du pain de viande.
6
Bat Out Of Hell: La comédie musicale
Pour la comédie musicale, le légendaire et primé Jim Steinman a incorporé des chansons emblématiques des albums de Bat Out of Hell, notamment You Took the Words Right Out of My Mouth (Hot Summer Night), Bat Out of Hell, I'd Do Anything for Love (But I Won't Do That), Paradise By the Dashboard Light et Two Out Of Three Ain't Bad, ainsi qu'une chanson inédite, What Part of My Body Hurts the Most. Dans Bat Out of Hell - The Musical, les chansons rock de M. Steinman propulsent une histoire épique de jeunesse rebelle et de passion alors que Strat, le leader immortel de The Lost, est tombé amoureux de Raven, la belle fille du dirigeant tyrannique Falco. Bat Out of Hell de Meat Loaf est devenu l'un des albums les plus vendus de l'histoire, se vendant à plus de 50 millions d'exemplaires dans le monde. 16 ans plus tard, Steinman a de nouveau marqué avec "Bat Out of Hell II: Back Into Hell", qui contenait le hit massif "I'd Do Anything for Love (But I Won't Do That)".
Show 3 plus d'arrêts
Politique d'annulation
Toutes les ventes sont finales. Aucun remboursement n'est disponible pour les annulations.
Photos de voyageurs
Commentaires (31)
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amberrM4235GJ
Oct 2022
Talk about a cast of pure talent! Was blown alway by all the performers! Great view from any seat! Would see this again, had a blast!
moviegal226
Oct 2022
Eh, the theater is always half empty for a reason, and I think Bat Out of Hell is on its way out. I went to see this show on a comped ticket and it was just....weird. I love Meatloaf and am a fan of his music, but this musical is just not good. It's not the performers' fault per se, it's just a Peter Pan story that isn't very good and doesn't make a whole lot of sense. The performers are talented but oversing like crazy. The dance choreography is repetitive, and the cast is huge. There are so many people dancing at one time that they filled the stage! The show reminds me of something you'd see on a higher quality cruise ship, like Princess or Celebrity. It's not horrible, but this isn't A+-grade entertainment. Think of it as a show where mediocre performers sing bland versions of Meatloaf songs -- because the story is confusing, corny, and doesn't flow. The seats in the theater are old and cramped, but all the views are good. The stage set is sort of blurred, they even have a performer who films the action live with a camera and it's shown on a large screen on the stage. The costumes are cool, and the music is played by a live orchestra which is commendable. I did notice that the music was way too loud. The volume didn't hurt my ears or anything, but it overpowered and drowned out a lot of the singing and the singer's voices. Not good. The staff was trying too hard, reassuring everyone as we went in the theater that this was a "great show" that "everyone loves." It was off-putting and quite sad. I guess they can also read the writing on the wall. I don't want to rag on "Bat Out of Hell" too much because I was able to see the show for free, but I would not have paid the $150 cost per ticket for this. If you look around, you can find heavily discounted or free tickets too, especially if you're a local. I guess if you like Meatloaf you may have fun, but I don't get the hype about or love for this musical.
LeoH26
Oct 2022
Quick summary, if you know the songs and are willing to put up with a very pedestrian sound system, it's a blast. I attended the show on October 7th, 2022, and had a mid-price seat ($89 after taxes and fees, pretty normal for today's Las Vegas). First, the bad - the sound system was ragged, most noticeably in the mid-ranges. Either something was being overdriven or a speaker is actually damaged from prior use. This lead to what may be a more harsh review of the male characters than would otherwise be normal. The only other bad point was the story, doing again of what has been done a thousand times of the good girl falls for the bad guy despite her parents' wishes (ya-da-ya-da-ya-da as if no other outcome was possible). The average - the male leads. Strat was very average, but it is possible the speaker damage was in the same place as his performance. It was certainly most noticeable during his performances. Falco was solid, indeed, the ticket lady mentioned he had been on of the leads in Jersey Boys in years past. Jagwire was presented as unconventional, to say the least, but was very talented. The sets, as with any musical not named Phantom of the Opera, were... meh. Finally, if you did not previously know the songs, the story line was very contrived to making them fit some of the situations. The good - the songs, for those of us who grew up to this music. That part was awesome. The choreography to the individual numbers was very good. Finally, the night belonged to the ladies. I don't know if they were in the undamaged range of the sound system, or if that was were the talent was most heavily recruited, but, yeah, they owned the show. Raven, Sloane, and Zahara lit up the night.

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